Tate Modern
  • Audience:
    Early Years • Families • Mixed Ages • Under 5 Years
  • Project:
    Collaboration • Design • Facilitation • Production
  • Venue Type:
    Gallery
  • Audience:
    Early Years • Families • Mixed Ages • Under 5 Years
  • Project:
    Collaboration • Design • Facilitation • Production
  • Venue Type:
    Gallery

Making space for calm, sensory play in a national gallery

A major national gallery seeking to engage families during peak school holiday periods, offering a calm, inclusive and sensory-led experience that supports longer dwell time and positive early relationships with contemporary art.

Who made it happen

Designed and delivered by HoLD Art Collective — Stephanie Jefferies and Sarah Marsh, in collaboration with Tate Modern teams.

What was needed

During the February half-term, Tate Modern wanted to create a family-focused experience that was suitable for very young children and distinct from traditional exhibition formats. The intervention needed to work at scale within a high-footfall gallery, remain calming rather than overstimulating, and support rest, play and embodied exploration. Clear communication around audience and age range was essential, alongside a desire to attract families who would visit Tate Modern specifically for a participatory experience.

What we did

The Joy of Feeling transformed the South Tank into a calm, immersive play environment designed by HoLD Art Collective (Stephanie Jefferies and Sarah Marsh). Using joyful colour, soft materials and a dreamy soundscape, the installation invited families to explore movement and touch through weighted, tactile forms inspired by Dorothea Tanning’s sculptures. Designed for open-ended, sensory play, the experience allowed children to explore independently while adults observed or joined in, supporting early years engagement with art through feeling and physical interaction rather than interpretation.

Playful impact

The Joy of Feeling successfully attracted families who came to Tate Modern specifically for the event, functioning as a clear destination experience. Average dwell time was the longest of all family events across the year, with feedback consistently highlighting the calm, spacious and non-crowded atmosphere. The project contributed to positive perceptions of Tate Modern as friendly, experimental and family-oriented, helping children develop confidence and a sense of ownership within gallery environments and supporting future cultural participation.
Tate Modern
Tate Modern
Tate Modern
Tate Modern

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Design by: 
Planchest.Studio

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